Looking The Other Direction

Painting backlit snow is very difficult, as I discovered today. It is troublesome to judge color or value when one is looking into something so bright. I think I have exhausted this subject for a while, and will try something else tomorrow. The ice was cracking all around me as I was painting this, but I managed to stay dry. This view is looking the opposite direction from the one I painted yesterday. The colors look better in person than they do here on this post. Overall, it was a magical day, yesterday's heavy fog combined with a zero Fahrenheit overnight temperature creating a thick flocking on everything in the valley. A very gentle breeze blew the crystals into the air where they seemed to hover and sparkle like diamonds in the sunshine against the deep blue sky. It was very Doctor Zhivago. Study 6x8 oil on linen.

Boxing Day Bliss

There is nothing I love more than going out on a beautiful sunny, snowy day to paint. And this week I can't seem to get enough of trying to paint this creek. Today I braved the slippery wet rocks to get a view from the middle of the streambed. This study is my favorite one so far; I am not tired of trying this subject matter yet. There is another view I want to try, but I haven't found the right lighting conditions for it yet; maybe tomorrow. I arose before dawn today and it was crystal clear, but quickly the ground fog moved in and it became as thick as pea soup, and seems to be lingering all day in the valley. You can practically watch the hoar frost form on the trees, flocking everything including the downy winter coats on the livestock, into barely discernable tints of color. It was tempting to try a fog scene, but since the weather looks like it is going to become overcast soon, I thought I'd drive up above the fog to paint the creek again. Study 6x8" oil on linen.

Christmas Eve Serenity

I finally had a chance to get out and paint today in the snow. It was overcast, but otherwise a beautiful morning. Twenty degrees and absolutely calm. I managed to find something I wanted to paint and found a nice, quiet site to relax. I really liked the location so I may try to return later in the week and try it again, hopefully with better results and maybe a little more sunshine. Study 6x8" Oil on Linen.

Boxing Day Breakfast

Another snow painting. This was painted from a couple of studies from last December. I'll take a better photo of it when I can varnish it and make it less shiny. This painting is 24x18, Oil on Linen.

Through The Woods

Oil on Linen, 24x18. I painted the study for this on New Years Day 2008, and have wanted to paint it larger since then. It was a little weird finishing it on a day where my thermometer hit 99 degrees, but it made it feel refreshing I think. The mountain in the distance is Chief Joseph Mountain in the Wallowa Mountains, the location is just outside Enterprise, Oregon.  I want to paint all four seasons of this view at some point, there is something about it that catches my eye every time I drive by. A painting done on location always triggers memories of sights, smells, events. The study for this reminds me that the snow plow drivers in the area are a force to be reckoned with. They fly down these country lanes at top speed in enormous trucks and do not slow for anyone. And there is nowhere to park to be out of their way without getting stuck.

Chinook, Squall & Panettone

The weather has been quite varied lately, and downright nasty. We had two days of blustery Chinook winds that melted most of the snow, followed by a winter squall that drove temperatures back down and coated the north facing surfaces with ice. It has settled down now into relative calm and high clouds. This little study was from a couple of days ago when it was windy and cold and lightly snowing, just before the weather went wild. As you can see, it was pretty dreary that day. I'm not very good yet at making dreary days look beautiful. Oil on linen 8x6. 

Boxing Day Calm

I did get out to paint today, but I can't say that I'm happy with them; a combination of hurrying too much and not settling into confident deliberate brushwork. I didn't quite earn my cassata though since they aren't decided candidates for the recycle pile. It was a supremely gorgeous day: an inch of fresh powder to keep the landscape looking clean, dazzling sunshine, soft clouds, calm winds, and a temperature just below freezing. My new boot warmers ended up getting delivered to California, so I will have to tough it out with cold feet. There seems to be some puzzlement about what boot warmers are. They are rechargeable battery powered insoles that slip into your boots. They run about 9 hours on a charge. Just the thing for standing in knee deep snow while painting. Each oil study is 8x6.

More Fun With Bales

It is amazing that there are still some snow bits remaining in August. This view is looking up Hurricane Creek, I have been wanting to paint this canyon shadow for a while -- I'm glad I waited because the crystalline sky and hay bales made it too tempting to pass up. I am very happy with this study, it turned out pretty much the way I envisioned it when I set up to paint; I wish that would happen more often!

Cloud Patterns

I have tried to paint something like this several times and I will probably do several more studies until I finally get one that I like, hopefully by the end of the summer I will have one. Meanwhile, it is good practice at not getting frustrated, the colors, light, cloud forms and cast shadows all change so quickly. This is another one where I would like to get deeper into the more abstract patterns, I feel like I take a step closer each time.

Wildflowers & Pines

I ventured a little higher in elevation this morning and spotted this area with abundant wildflowers, red-violet lupine and a yellow daisy-type flower that I don't know the name of, in a pine meadow. The sunlight was very soft, filtered by heavy haze. A pair of whitetail posed in the middle of my view that I resisted the temptation to add since they would probably look too precious. An elk would have been more tempting. This is the first study I've done in a while that I am really looking forward to working up into a real painting. This is one I'd love to get lost in the abstract shapes and two dimensional surface plane of the image. I think that the time I spent with Maria Entis last week is having an influence. She has a new website, check out her work: www.mariaentis.com. Another influence from visiting Vancouver, was the art glass work of Robert Held. His studio produces a wide variety of styles, all of which are gorgeous, but here I was thinking about some of his wildflower series that seem to shimmer and glow and are very Klimt-like: www.robertheld.com.