Looking The Other Direction

Labels: Eagle Cap Wilderness, Joseph Oregon, Plein Air Landscape Painting, Wallowa Valley

Labels: Eagle Cap Wilderness, Joseph Oregon, Plein Air Landscape Painting, Wallowa Valley
There is nothing I love more than going out on a beautiful sunny, snowy day to paint. And this week I can't seem to get enough of trying to paint this creek. Today I braved the slippery wet rocks to get a view from the middle of the streambed. This study is my favorite one so far; I am not tired of trying this subject matter yet. There is another view I want to try, but I haven't found the right lighting conditions for it yet; maybe tomorrow. I arose before dawn today and it was crystal clear, but quickly the ground fog moved in and it became as thick as pea soup, and seems to be lingering all day in the valley. You can practically watch the hoar frost form on the trees, flocking everything including the downy winter coats on the livestock, into barely discernable tints of color. It was tempting to try a fog scene, but since the weather looks like it is going to become overcast soon, I thought I'd drive up above the fog to paint the creek again. Study 6x8" oil on linen.Labels: Joseph Oregon, Oil Painting, Plein Air Landscape, Wallowa Valley



Labels: Joseph Oregon, Oil Painting, Plein Air Landscape Painting
I finally had a chance to get out and paint today in the snow. It was overcast, but otherwise a beautiful morning. Twenty degrees and absolutely calm. I managed to find something I wanted to paint and found a nice, quiet site to relax. I really liked the location so I may try to return later in the week and try it again, hopefully with better results and maybe a little more sunshine. Study 6x8" Oil on Linen.Labels: Joseph Oregon, Oil Painting, Plein Air Landscape, Wallowa Valley
I finished this painting yesterday, although I painted the study for it on a beautiful early morning in June 2008 in northeastern Oregon. If I could begin every day like that, I would be a happy girl. I was thankful for Gore-Tex boots since I was half-standing in the chilly flowing water of a runoff ditch. Across the road were some long-horned cattle with the biggest horns I have ever seen (see below). I kept imagining what it must feel like to go around all day with the weight of a bowling ball on each side of my head. Of course if I had tried to paint one of those beauties into my painting, it would have looked like a cartoon. The steer I did paint are the more ubiquitous Hereford breed raised for beef. They seemed to graze in a synchronized languid pace, wandering in the same direction down the long pasture, turning as a group and leisurely ambling and munching on the way back. I am happy with this piece because I think I managed to capture the mood of that bucolic morning. 40x20", Oil on Linen.
Labels: Aspen, Enterprise Oregon, Hereford, Joseph Oregon, Plein Air Landscape Painting




along the popular Pear Lake trail at roughly 9,000 feet. Pear Lake sits in a deep granite bowl at 9,500 feet. A small group of us painted for three beautiful days this year. We had one day of high clouds, wind and flat light, but mostly it was sunny and pleasant. Coyote, pika, chipmunks, bats, mountain bluebirds, and tiny pearl grey mice with white bellies were abundant. I spotted a large buck and an occasional hummingbird at 9,500 feet. The American Pika is an endangered species, threatened by the effects of global warming, so it was nice to see these extremely cute creatures.
On the first morning, after not much sleep, I arose well before sunrise to paint, not realizing that the sun doesn't illuminate anything in the lake basin until later in the morning.
The sun also leaves the lake basin well before sunset.
On the hillside above my tent site there were a few gnarled old white pines in interesting shapes growing out of cracks in the granite. 
In a couple of places, the granite was interrupted with areas of vegetation. I thought the shapes in this area were really interesting.
Labels: Emerald Lake, Pear Lake, Sequoia National Park

Labels: Wallowa Valley
Oil on Linen, 24x18. I painted the study for this on New Years Day 2008, and have wanted to paint it larger since then. It was a little weird finishing it on a day where my thermometer hit 99 degrees, but it made it feel refreshing I think. The mountain in the distance is Chief Joseph Mountain in the Wallowa Mountains, the location is just outside Enterprise, Oregon. I want to paint all four seasons of this view at some point, there is something about it that catches my eye every time I drive by. A painting done on location always triggers memories of sights, smells, events. The study for this reminds me that the snow plow drivers in the area are a force to be reckoned with. They fly down these country lanes at top speed in enormous trucks and do not slow for anyone. And there is nowhere to park to be out of their way without getting stuck.

Labels: John Muir Wilderness, Lake Ediza
This painting is 36x30 Oil on Linen. The study for it was painted in Victor Valley Idaho last September. Labels: Victor Idaho
The Wallowa Valley Festival of the Arts is June 5-7, 2009 in beautiful Joseph, Oregon. I hope to be participating this year and this is my donation for their silent auction to benefit the festival. It is 12x9, Oil on Linen. You may recognize it from a couple of my studies from last summer, painted on the east moraine overlooking Wallowa Lake. I have lately finished two large paintings that I will post as soon as I have decent photos of them. I also hope to rework and update my web site soon, it is long overdue. I have several other large paintings in the works, with one getting very close to completion. And I hope to get out on location soon, I'm overdue for that as well. To paint this scene, I had to get up at 4:30am and hike up a steep hill for an hour to catch the early morning light as the sun peeked over the moraine. It was an excellent way to spend the morning before breakfast.
The weather has been quite varied lately, and downright nasty. We had two days of blustery Chinook winds that melted most of the snow, followed by a winter squall that drove temperatures back down and coated the north facing surfaces with ice. It has settled down now into relative calm and high clouds. This little study was from a couple of days ago when it was windy and cold and lightly snowing, just before the weather went wild. As you can see, it was pretty dreary that day. I'm not very good yet at making dreary days look beautiful. Oil on linen 8x6.
I did get out to paint today, but I can't say that I'm happy with them; a combination of hurrying too much and not settling into confident deliberate brushwork. I didn't quite earn my cassata though since they aren't decided candidates for the recycle pile. It was a supremely gorgeous day: an inch of fresh powder to keep the landscape looking clean, dazzling sunshine, soft clouds, calm winds, and a temperature just below freezing. My new boot warmers ended up getting delivered to California, so I will have to tough it out with cold feet. There seems to be some puzzlement about what boot warmers are. They are rechargeable battery powered insoles that slip into your boots. They run about 9 hours on a charge. Just the thing for standing in knee deep snow while painting. Each oil study is 8x6.
All I wanted for Christmas was snow to paint and boot warmers. The boot warmers haven't arrived yet, but the snow did in abundance. Painting snow is one of my most favorite things so I'm a happy girl today even if my toes and fingers are still trying to thaw. These two oil studies are 8x6 inches. 
Labels: Oil Painting, Plein Air Landscape Painting, Snow Painting, Wallowa Lake
I finally made it out to paint after taking a break from it for the last month and a half. It felt good to be back out painting, and I will try to go out again soon. This is my favorite time of year, where there has been enough rain to green things up a bit while fall colors are still abundant. The vineyards in particular are still clothed in a variety of lovely autumn hues. The light is very horizontal and filtered with heavy atmosphere typical for November. The days are warm in the sunshine and the winds are calm, perfect for painting. Both oil studies are 6x8". 
Labels: Carneros, Napa Valley Art Festival, Plein Air Landscape Painting








This alpine meadow study was painted about a couple of hundred yards before Iceberg Lake, which is situated above Lake Ediza at about 10,000 feet. It was very windy that day which made it impossible to paint with an umbrella. I struggled with glare which made it difficult to judge color well, but I managed to touch it up to be close to what I was seeing. The snowfield was a fun bold element to compose with, and it is a good memory of a good day. I would love to work this one up into a larger painting.Labels: Ansel Adams Wilderness, Iceberg Lake, Lake Ediza, Plein Air
Lake Ediza is at about 9,280 feet according to my GPS unit, near the timber line. I was wandering around looking for something to paint and passed through a very old grove of hemlock and white pine. The gnarled trunk of this specimen growing out of the rocks caught my eye with the late afternoon light reflections. The mountain lumps in the background are Ritter and Banner. I will have a few more studies to post in the next few days but they need some touchup first. Labels: Ansel Adams Wilderness, Lake Ediza, Plein Air
I was intrigued by the long shadows on the slope of the Minarets at this time of morning. This view was painted from the same spot as my favorite study (posted earlier). Labels: Ansel Adams Wilderness, Lake Ediza, Minarets, Plein Air
A morning view looking toward the outlet of the lake, painted from our campsite area. We had a day or two of wind early in our trip, but toward the end it was very calm, creating silky reflections on the lake.Labels: Ansel Adams Wilderness, Lake Ediza, Plein Air
This view was painted by several of us during our stay at Lake Ediza. It was only a few feet from our campsite and was in comfortable afternoon shade near a small sandy beach. The shallow-to-deep water transition created a gorgeous color modulation. This study was one of only two that I finished on a second day instead of one session, which is usually a little risky if the weather changes. Labels: Ansel Adams Wilderness, Lake Ediza, Plein Air, Sierra
I spent six glorious days in the high Eastern Sierra doing my two favorite things, hiking and painting, with eight fellow painters and one photographer. We camped on the far side of Lake Ediza in the Ansel Adams Wilderness, a short distance from the John Muir Trail. We hired a pack trip outfitter to take our heavy equipment, gear and beverages in on mules, while we hiked in with daypacks. We also hired a cook to keep us well fed so that all we needed to do is roll out of our tents and paint. We had fabulous weather this year (last year we had lots of hail and rain). When I return to NE Oregon midweek, I will post a few paintings and happenings. It feels good to be freshly showered and ready to sleep in a real bed! The snapshot of the Minarets above was taken near the lake outlet on the hike out. Labels: Ansel Adams Wilderness, John Muir Trail, Lake Ediza, Minarets, Plein Air, Sierra
Labels: huckleberry
I hiked into the Eagle Cap Wilderness this morning. I had almost given up on painting because it was overcast, but it eventually cleared. I'm not terribly happy with this study (it looks too much like an illustration), but hopefully I learned something for the next one. The hike in was perfumed with the scents of wild berry and sage; it is blackberry and huckleberry season. Wildflowers are still thick on the ground and mosquitos thick in the air. I am not in shape for my upcoming Sierra trip so I thought I'd make myself do more hiking.Labels: Eagle Cap Wilderness, Plein Air Landscape Painting, Sacajawea Peak
I wanted to try something moodier than what I have been painting. I was quite out of my comfort zone, but it was fun to try. It was definitely an exercise in close value and color relationships. I was also out of my physical comfort zone, it was a chilly morning to be standing in the misty shade by a river.
It was time to try a hero tree again. This stalwart gnarled fir specimen was on the edge of a sheer drop into the Big Sheep canyon. This tree looks ancient, and it is amazing that anything could survive on this ridge with the winter winds, hurricane force winds are not uncommon. I should redesign the background so that the hill ridge is not tangent with the sweep of the tree branch. I think it is better than my previous tree attempts, I think I'm making progress. :)
We finally got some clearer weather this morning with beautiful hazy sunlight. I drove up to a location called the Cat's Back. It is a skinny ridge with canyons on either side, to the south is the Big Sheep canyon, this northerly view is a series of canyons: Craven, Mitchell, Wolf, and Little Sheep. I wasn't sure about this study when I finished it, but it is growing on me and becoming a favorite. Mostly I want to refine the foreground tree shapes and fix one of the background hills.
The distant mountain range in this view is the Seven Devils, the foreground is Cummins Gulch leading into Big Sheep Canyon. I'm doing small canyon warmups before I tackle a Hells Canyon view. On the drive back I felt like I was in a Disney movie because of the number of deer, bluebirds and chipmunks; I kept expecting Thumper to show up and for them to break into song.Labels: Seven Devils
Yesterday was a scouting morning that didn't turn up anything promising, and I am realizing that I can't paint on only one hour of sleep. This morning I also went to a new area but had better luck (more sleep also helped). There are a couple more views out this way that I'd like to paint soon, there are many small canyons leading up to the bigger Joseph, Imnaha and Hells Canyons. I could spend the rest of my vacation painting nothing but canyons and not get to them all. The top of the canyon in view is the Big Sheep Canyon.
It is amazing that there are still some snow bits remaining in August. This view is looking up Hurricane Creek, I have been wanting to paint this canyon shadow for a while -- I'm glad I waited because the crystalline sky and hay bales made it too tempting to pass up. I am very happy with this study, it turned out pretty much the way I envisioned it when I set up to paint; I wish that would happen more often!Labels: Eagle Cap Wilderness, Hurricane Creek, Joseph, Oregon, Wallowa Valley
Another view of the lake -- I was seduced by the sunshine streaming over the moraine, illuminating the atmosphere over Bonneville Mountain (Mt. Howard is to the left and Chief Joseph Mountain is to the right, with peeks/peaks of Aneroid Mountain and Craig Mountain in the distance). It was nice to have a few clouds this morning. I need to fix and blur the reflections in the water since they are distracting.
Labels: Wallowa Lake
Yesterday I spent my early morning painting time location scouting and found a couple of spots that looked promising. I returned to my favorite one this morning at the head end of Wallowa Lake. I awoke a little late and had to scramble a bit and didn't spend as much time finessing the drawing as I would like, but I think the study works for color and light reference. I would love to work this one up larger at some point, I think it is my new favorite.Labels: Wallowa Lake
Labels: Ugly Dog Brush Soap
I tried to hike up the east moraine of Wallowa Lake this morning. I made the mistake of leaving the logging road to hike up what looked like a nice foot trail. It became more of a deer trail and then dissipated into no trail at all. There were plenty of whitetail out and they all seemed to be having a much easier time with the terrain than I was; as you can see, it is quite steep. I stopped when I reached a precipice and set up to paint this view in the canyon above the lake. Next time I'll stick to the logging road and see where I end up. I got a good workout though in preparation of my Eastern Sierra Lake Ediza trip in August. Labels: Wallowa Lake
I drove out toward the Imnaha River Canyon down a single lane potholed gravel road on the prairie. I didn't get as far as I had hoped before I hit a gate. My map didn't cover the area so I didn't know if it was okay to proceed, so I stopped and painted where I was. This is where the Zumwalt prairie starts transitioning into the canyon. I am now itching to paint the canyon more than ever, if only I could figure out how to get a view of it. Need a better map. On the way, I had the treat of seeing a herd of elk up close. I should have known that the shape and features of this hill are too weird to paint. I only like the left third or bottom third of the study.Labels: Imnaha River, Zumwalt Prairie
We had thunderstorms with heavy rain today, a good day for making jams and cobblers, this time blueberry, raspberry and Marionberry. The weather was absolutely gorgeous, moody and dramatic, but a little too wet for painting. However around 6pm, it cleared enough so I headed out. There wasn't much time to choose a location or be fussy about composition; it was definitely one of those hurry-up-and-paint-before-the-sun-sets situations. It was very fun. I am heading back to Washington for a few days; with luck I'll paint more basalt and sagebrush while there.
Labels: Hells Canyon, Imnaha, Oregon, Snake RIver
This morning I drove back up Elk Mountain Road, this time looking down towards the valley. The foreground is the rolling hills of the edge of the prairie, the background is the Wallowa Mountain Range with the setting moon. It is difficult to relate the absoluteness of the quiet in a location like this, most people never get to hear this kind of noiselessness, no human noise, no wind noise, not even the sound of insects, the silence only broken by the occasional screech of a red-tailed hawk. The ground squirrels must be a tasty treat for these hawks because they are positively obese right now. They look so silly with their chubby bodies as they run across the road, tummies barely clearing the ground. I got my own treat this morning; my husband rode his dirt bike out with a thermos of hot home-roasted espresso for me. A dirt bike would be a very handy painting ride in these parts. I still need to fix where I have one shadow/light edge meeting up exactly with the other one.